Storming the AGO

At the onset of the storm of the century
The museum doors opened
The windows shattered
All the portraits flew out to find their spirits
All the birds were blown in like wind
The landscapes came alive
Statues took up their weight and left
Saying frightful things as they passed

Much of the art was swept away
Lightning burned a tree of paint
Abstract art dematerialized
My impression of impressionism
Instantly blurred
The pop art survived like tattoos

But that wasn’t the whole picture
The rain fell through the open roof
Emily Carr’s forests grew even greener
Tom Thompson’s lakes flooded
Installation pieces floated about
It was really a pleasant disaster
A distraction from the seriousness of art

What to Do If You Find a Baby Bird in Your Yard

You stitch it to the wind
So that it will learn to fly without a mother

You hold it to your heart
So that you’ll know fragility forever

You weigh the infancy of time
In the palm of your hand

You stand there quizzically
Considering our contract with nature

You look for a nest
Only to discover space is home

You nurture the nestling
With an eye-dropper and a dream

You call a bird rehabilitator
Marry them and fly away

Close Enough to Know

Spring shadows at the cemetery,
two old men, both with walkers,
meeting on a green transcendental plane
quietly conversing
along a row of headstones and graves.

I had the strong impression
that spirits were talking,
that they were there all the time,
that I was close enough to know.

Dream Therapy

When the dreamer is cut open
The surgeons are swallowed by the dream
The medium crossed over
And was devoured by ants
Acupuncture needles
Go through to where the dream fades
A masseuse became
A mannequin without hands
In the sleep laboratory
Centipedes infest computers
Neither therapy nor soporifics
Could cure him
He dreamt until the day he died
And then he could not tell
If he was dreaming or the world

May

May I have a cup of sunlight, please?
May I touch the flesh of summer?
Why have May flowers bloomed
only to hide in quiet gloom?

Where is Maia, the Roman goddess of May?
Today she is crueller than kind.
May I feel the warmth of the sun?
May I marry Maia to my miasma.

And once betrothed, may she appear
wearing white robes of the sun,
a bride of unbridled blossoming.
May I know you, May, at last.

A Violin in Vowels

A sound like green, seen, or sheen,
a rasping, straining and ringing—
also round like a flowering,
like glowing and fading.

Sometimes a note thins into a cry
when the bow barely holds the string
and makes the sound
of suffering sweeten.

Sometimes a note will vanish
like the bit of an it that was
and is no more.

Itzhak Perlman’s violin
between lost worlds,
singing sad thoughts without words,

like the open rose of the night,
calling Shoshana, Shulamite,
and I am the Song of Songs.

The Ancient Face of Silence

When you find a dead body
Your fingers turn to ice
They reach down through the earth
And pick rocks from the quarrel
Between life and death
When you touch a dead body
And feel for a pulse
Your hand slips through
The moment the heart stopped
Down into the depths of timelessness
Then you are wordless
And stand in the cold
Exchanging glances
With the ancient face of silence