Fake

Fake or not— something is amiss
Fake or not— blood runs out the veins
The appendage of doubt withers on the branch
Fake or not— the tree died in Paradise
Fake or not— pockets are sacked
Innocence suffers the fakery
Nothing changes but the fakemen
Fake or not— God has no face
Fake or not— there are natural facts
Presidents sign with a fake pen
A despot murders his kin
Fake or not— the flames of the earth
Blaze through the crust to the sun
Fake or not— the indigent go without shoes
Fake or not— time lifts the mask
Natural resources betray the rot at the core
Fake or not— a dream of peace is real
Fake or not— love is its own illusion

Ann Arbor Poetry Blues

Friday I visited Ann Arbor, Michigan. Most of the book shops I knew are gone, but Dawn Treader Books was still in business— a survivor from the great old days of Ann Arbor book shops. The poetry section was smaller than I remembered, with a few shelves so crammed with collections it was difficult even to dislodge a book from its place. I felt sad looking over titles and names. They weren’t just books. They were people I once knew. So much self-importance. So much certainty in their own greatness. Now here they were, interred in the last poetry mausoleum. I left Ann Arbor thinking I had wasted my life. But then I also thought this, how could I waste a life I’d chosen. That is something. That is perhaps something.

Open Letter to my Son

I’ve been mulling over our conversation. I suppose for a young person today there is a lot of pressure to be successful. You’re ambitious and that’s good. The allure of worldly riches is strong: money, cars, private jets— even islands and countries can be bought. Don’t confuse ambition and happiness. They masquerade for each other and you might not see the difference for a long time. I’m glad though that you can talk to me, that part of you has sympathy for an ageing, not very successful poet. Something tells me you knew I’d say stay in school, finish your degree, don’t sellout your intelligence for mammon. I’ve also met business people with lakefront condos, expensive cars and boats… Their dialogue is all negotiation and their presence half facade. Not one of them could count among their riches the many gifts you already possess. Some of us were chosen for higher things. Love dad.

High Winds

Many broken branches, heavens eroded,
Trees uprooted, the heartwood with rot.
Roof shingles raised, power lines down.
I’ve never seen such wind-blasted light,
Blue diffused into dark, transparent night.
In my mind distance travels like the wind.
Outside our losses, the road of the wind.

State Mental Hospital

A sound structure in architectural
beauty and ruin,
Lovely grounds overrun by weeds,
Narrowing trails through forest,
The farm now fallow and wild.

Ghosts of place move on,
Legends vandalize experience,
Peace remedies chaos,
Kindness cures brutality
Bound to no restraints.

If facts are fake poetry proves true,
Patients shine with health,
Society suffers lunacy,
Institution disperses,
Madness finds proportion.

Homemade Wine

The best thing about homemade wine,
Drinking it at the right time,
When the grape is in Madre Vino
And the moon in its libration;
When the chimes are bleeding
And barrels breathe into ullage,
The finish in the beginning—
The beginning in its prime,
The sunset of your labor
Steeped in field grape red–
Nights of happiest dreams,
Warmest tones, touch and taste;
When the body of the wine
Fills spirit to the rim, it is ageless;
When wine spirits the air
Like spring mornings, it is ageless;
When drinking from the barrel
Inspirits time with roundness, it is ageless.
The best thing about homemade wine,
Drinking it at the right time.

Temple of Concord (What Immigrants Bring to a Country)

I dreamt I saw the Temple of Concord
Outside a rural Canadian town.
Farmers stood round the temple
Wondering what to make of this…

Naturally the farmer was compensated
For the foreign structure on his land.
The temple, enclosed in clapboard,
A country church and farmers’ market.

But when I drive near that alien corn
I see the Temple of Concord glowing
Against the green, beautiful in snow,
Though no one else can seem to see it.

Snowglobe

The poems of the old century hold their magic. “Cemetery in Snow” by Xavier Villaurrutia is such a poem. You can think about the poem several ways but because the subject is so singular it is trapped in the glass of its making. Shake it and the letters will settle back in some insensible way, burying the cemetery just so. The poem was probably not so much a matter of writing as of polishing glass, clarifying silence, making each different letter fall the same way.