When a man in a hospital bed
Needs a haircut and shave,
The barber with his black bag
Goes humbly through the wards.
In shadow and in light,
The barber and his patient,
Seen through an open door,
A smile on the sick man’s face.
When a man in a hospital bed
Needs a haircut and shave,
The barber with his black bag
Goes humbly through the wards.
In shadow and in light,
The barber and his patient,
Seen through an open door,
A smile on the sick man’s face.
Cutting hair at the nursing home,
My father was afraid of growing old.
The old have so few hairs
And to shave a lonely face can break your heart:
You never shave the same face twice.
Alone and sick, sickness a blessing,
There were some old people, my father said,
No one ever visited, only the barber.
The child I was sits trembling in a barber chair.
‘Make me a barber, ‘ I asked my father,
Barbers are men who smell like rose water,
Who gather sea foam in their hands.
In my family, scissors fly like swallows,
Straight razors never bleed.
Now mirrors have tears in their eyes,
Combs and brushes are buried in coffins.
My father is inside a mirror,
Walking in his white salon shirt,
Carrying his sad combs and scissors
Along an endless seashore
I saw a young Arab woman,
A spring wind was blowing her pale blue burqa
So that her body rippled through it like water
And the veil made her face appear.
Covered, she was transparent,
Diaphanous wavering reflection of blue iris,
Seashell in a glass pitcher,
Flower emerging from the sword,
Naked light under a lampshade.
Gracefully, her every step disrobed her,
Like a shadow on a mirror,
A palm leaf swaying at a window
Where sheer curtains are blowing.
The mind is brushed by sparrow wings.
Hart Crane
All shadows of a kind cross the atlas of the mind.
Alone or with fledglings in realistic settings
The ghosts of those birds migrated into words.
The longer we stayed the sound of a glade.
Windows doubled as skies for eternity in their eyes.
Even for a feather it is a heavy tether.
In each nest eggs at rest.
Such stillness grows like flight in repose
Mounted there in flying air.
What is seeming if nature is dreaming?
What is death to a hummingbird’s breath?
In an eagle’s gaze soar endless days.
A glass case sings it breaks with wings.
All field marks fade light goes into shade.
Autumn in Paris is like summer in a lower heaven.
Sycamores and chestnuts paint the air,
Pencil-thin branches sketch the city like Utrillo,
The Seine sets leaves in moon-glass.
We caught the metro at Bir-Hakeim
Near Vel’ d’Hiv, the Nazi detention center.
Cyclists went flying into fire and ash
In the beauty of a lower heaven.
Something grotesque in the accordion
Like a fascist playing Mozart.
Something hypnotic in the sound,
The bellowing of giving birth to terror.
In the beauty of a lower heaven
All the people are lovelier, tranquil,
Even at rush hour music tames
The writhing beast of megalopolis.
Goodnight Paris, bonne nuit,
Your accordions are like history
Repeating the music and the horror
In the beauty of a lower heaven.
Goodnight Roseline, Simone and Eliana…
We will meet again, Aviva…
The doors of the trains are opening
In the beauty of a lower heaven.
St. Lawrence River
1
The rivers of the river were moving again.
The shattered ice glided
In one giant flow of crystal shards.
A concert, a symphony of treble sounds,
Frozen keys of light and music
Glittered all along the seaward shore.
2
Was it the beginning of time?
Or had the end of time begun?
The earth was locked in ice.
Darkness was upon the land.
When sunlight filtered
Through the poison gases
It struck the ice and multiplied.
The light looked through itself,
Dissolving, congealing,
Until the air had cleared.
Light took the shape of a fern
And ferns unfurled out of nothing.
Light moved and there was wind.
Light poured over its rim
And from ice water trickled.
When light was exhausted
The night was born.
3
Those who live by the river
Have heard the sound of light
In that staccato of shattered ice;
In the sharp tintinnabulous
Wavering myriad of chimes,
They have heard the cold
Remote music of a crystal age.
A handicapped child is born to test us,
He’ll see if we are worthy of his attention.
The sick hold out their medicine for us to take—
It is good for the soul, they say.
The homeless guide us home unaware.
The hungry feed us with their eyes.
The suffering save us with their heavy tears.
When we are tired of being frivolous
We sometimes look differently at people and at things,
And they look at us and say
Even you are greater than you know.
The first is my window blinds.
Slats with pull cords
Between light and dark.
The second is my carpet.
A magic carpet of wine tracks
Notated by cannabis tacks.
The third is the cigarette tin
In which I keep my addiction
To loose change and nicotine.
Fourth, a few fossils
I found on a beach
In primeval childhood.
Next to last my old pool cue.
I play impossible shots
On imaginary tables.
Finally, a faded photograph
In inexpensive frame
Of someone loved and lost.
The practice area is like an orchard of sound
Where you pick notes as they ripen
And those that fall seed the ground.
You can harvest grapes from this vine
That grows along the staff of time
Following the sun into drums of wine.
The pianos seem near and far
Like conversations behind doors
Or rain on the roof of your car.
The practice area is a paradise
Where even angels clash
And beauty is soundly imprecise.
Please listen to the children play,
Their music is so unaffected
You’ll hear the origins of rhapsody.